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Works On Paper 'Café da Tarde' by Uéslei Fagundes
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Uéslei Fagundes_Detail - _Café da Tarde_ - Uéslei Fagundes_BlueShopGallery_WOP7_271.jpg
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Uéslei Fagundes__Café da Tarde_ by Uéslei Fagundes - Uéslei Fagundes_BlueShopGallery_WOP7_407.jpg
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Uéslei Fagundes_Detail - _Café da Tarde_ - Uéslei Fagundes_BlueShopGallery_WOP7_271.jpg
Uéslei Fagundes__Café da Tarde_ by Uéslei Fagundes - Uéslei Fagundes_BlueShopGallery_WOP7_407.jpg

'Café da Tarde' by Uéslei Fagundes

£375.00
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'Café da Tarde'
31.5 x 24 cm
Oil on Hahnemühle 452 gsm
2025
£375

Bespoke framing available for Greater London collectors only | Lead time is 8 weeks from confirmation

Uéslei Fagundes (b.1987) is a Master's student in Visual Poetics at Universidade Federal do Rio Grande do Sul (UFRGS), and much of his research focuses on the representation of everyday life through painting. Fagundes finds in his surroundings a pretext to explore the memory embedded in the chosen materials, sometimes combined with inscriptions that are also prosaic and of a conjectural nature, evoking some promises of painting that are still in suspension.

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'Café da Tarde'
31.5 x 24 cm
Oil on Hahnemühle 452 gsm
2025
£375

Bespoke framing available for Greater London collectors only | Lead time is 8 weeks from confirmation

Uéslei Fagundes (b.1987) is a Master's student in Visual Poetics at Universidade Federal do Rio Grande do Sul (UFRGS), and much of his research focuses on the representation of everyday life through painting. Fagundes finds in his surroundings a pretext to explore the memory embedded in the chosen materials, sometimes combined with inscriptions that are also prosaic and of a conjectural nature, evoking some promises of painting that are still in suspension.

'Café da Tarde'
31.5 x 24 cm
Oil on Hahnemühle 452 gsm
2025
£375

Bespoke framing available for Greater London collectors only | Lead time is 8 weeks from confirmation

Uéslei Fagundes (b.1987) is a Master's student in Visual Poetics at Universidade Federal do Rio Grande do Sul (UFRGS), and much of his research focuses on the representation of everyday life through painting. Fagundes finds in his surroundings a pretext to explore the memory embedded in the chosen materials, sometimes combined with inscriptions that are also prosaic and of a conjectural nature, evoking some promises of painting that are still in suspension.

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