'Sylvan Glade' by Harriet Florence Wilkinson
'Sylvan Glade'
21.5 x 28.5 cm
Oil and Watercolour on Watercolour Paper
2025
£400
Bespoke framing available for Greater London collectors only | Lead time is 8 weeks from confirmation
Harriet is a painter and printmaker whose work explores the transient qualities of landscape and memory. She studied MA Painting at the Royal College of Art and BA Fine Art Printmaking at the University of Brighton, developing a distinctive visual language rooted in the natural world. Through semi-abstract compositions, she translates the rhythms of the rural landscape into rich, layered surfaces. Her marks become echoes of movement, suggesting transformation and evoking a quiet magic. Using natural pigments, dyes, and oil paint, she creates works of tonal depth that invite the viewer into a world that is both poetic and visceral.
'Sylvan Glade'
21.5 x 28.5 cm
Oil and Watercolour on Watercolour Paper
2025
£400
Bespoke framing available for Greater London collectors only | Lead time is 8 weeks from confirmation
Harriet is a painter and printmaker whose work explores the transient qualities of landscape and memory. She studied MA Painting at the Royal College of Art and BA Fine Art Printmaking at the University of Brighton, developing a distinctive visual language rooted in the natural world. Through semi-abstract compositions, she translates the rhythms of the rural landscape into rich, layered surfaces. Her marks become echoes of movement, suggesting transformation and evoking a quiet magic. Using natural pigments, dyes, and oil paint, she creates works of tonal depth that invite the viewer into a world that is both poetic and visceral.
'Sylvan Glade'
21.5 x 28.5 cm
Oil and Watercolour on Watercolour Paper
2025
£400
Bespoke framing available for Greater London collectors only | Lead time is 8 weeks from confirmation
Harriet is a painter and printmaker whose work explores the transient qualities of landscape and memory. She studied MA Painting at the Royal College of Art and BA Fine Art Printmaking at the University of Brighton, developing a distinctive visual language rooted in the natural world. Through semi-abstract compositions, she translates the rhythms of the rural landscape into rich, layered surfaces. Her marks become echoes of movement, suggesting transformation and evoking a quiet magic. Using natural pigments, dyes, and oil paint, she creates works of tonal depth that invite the viewer into a world that is both poetic and visceral.